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20240316
文/王军
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2024年3月16日上午,昨夜春雨后,润物细无声,“墨随心志一一陈志才作品展”在四川省诗书画院美术馆如期而至。来自四川省文化艺术界的领导、嘉宾、书画艺术家和文艺爱好者约300人参加了开幕式和观展活动。
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开幕式由成都电视台主持人周东主持。四川省诗书画院工笔画创作研室主任陈志才致欢迎词,中国美术家协会理事、四川省美术家协会主席梁时民,四川省诗书画院名誉院长戴卫,四川省诗书画院常务副院长王琼,四川省文联党组书记、常务副主席邹瑾等相继致辞祝贺,四川省原政协主席、四川省诗书画院院长秦玉琴宣布开幕。
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【开幕式•现象观察与本质感悟】
作品展主人陈志才一直站在四川省诗书画院演讲厅的立柱旁,当他听到主持人周东请戴卫致辞时,赶紧前去扶持戴卫上演讲台,这是年满花甲之年的中年才俊对年过八秩的绘事界长者表达出的尊重和谦逊。而戴卫在致辞时称陈志才为“同学”时,则表达出了他自己“活到老,学到老”,与时俱进的“学习型社会”心态,与后来者共同学习,共同进步,提携幼者的非凡举止,幽默风趣而不失风雅,率真坦诚而不失睿智。尊老爱幼,言传身教,是中华文化的优秀传统,今天观察到的陈志才和戴卫的这一前一后的行为举止现象,不仅是传承中华文化优秀传统这个本质的一个缩影,更是无数德艺双馨的文人的一个真实的写照。
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【开幕式•陈志才绘画大家谈】
#梁时民:
陈志才的画,根植于中国文化的优秀传统,反映了他的思想、意味、才情和审美倾向。他将自己对大自然、社会和人生的独特感悟,以自己特有的笔墨语言表达出来,映射出传统文化的传承、时代精神的弘扬和大众审美的情趣。在写意花鸟画方面,陈志才通过不断的探索、思考和实践,已然形成了独具匠心的个人风格,在四川省乃至全国都赢得了较高的声誉。
#戴卫:
陈志才同学的画,能够将山水画气势恢宏的高山流水与花鸟画栩栩如生的细部再现完美地融合在一起,不仅体现了他画内扎实的基本功,更展现了他画外深厚的人文底蕴,乃至他的艺术天赋。他的画,是从人民中观察而来,历经他自己的深切感悟,又通过独特的笔墨艺术语言传播到人民中去。
#邹瑾:
陈志才的画,其最大的特点是:既有工笔画严谨整饬的静态之美,又有写意画放逸灵动的动态之美。
*梁时民、戴卫、邹瑾的致辞系即兴演讲。其要旨,仅仅是笔者凭借依稀的记忆编辑整理而成,并非原话,如有不妥,敬请讲者海涵,读者见谅。
#王琼:
尊敬各位领导和嘉宾、艺术家朋友们:
大家上午好!春风贺喜无言语,排比花枝满杏园。
在这个春天美好的时节里,我们很高兴相聚一起,共同见证由四川省文化和旅游厅、四川省文联、成都市文联指导,四川省诗书画院、四川省美协、成都市美协共同主办的“墨随心志——陈志才作品展”开幕仪式,在此,我谨代表四川省诗书画院向各位嘉宾和朋友们的到来表示热烈的欢迎!向陈志才同志付出的心血表示衷心地祝贺!
当前正值十四届全国人大二次会议、全国政协十四届二次会议胜利闭幕之际,我们在这里举办陈志才个人展览就是为践行习近平总书记传承中华优秀传统文化,用艺术的形式讲好中国故事,传播中华文化。因为艺术工作者最重要的任务之一就是要将中国故事和中华文化与艺术合而为一,形成能够浸润心灵的艺术作品。四川省诗书画院自建院以来始终围绕“出人才、出精品”,坚持弘扬优秀传统文化为宗旨。
四川省诗书画院深入实施巴蜀书画艺术传承与创新工程和人才培养实施计划,长期坚持并连续举办四川省诗书画院专职书画家个人展览,以促进美术人才的培养和推广。多年来,画院为社会培养和输送了大量中国书画艺术人才,他们已成为我省乃至全国书画事业的中坚力量。陈志才就是四川省诗书画院培养出来的优秀画家的代表之一。
陈志才是一位坚守传统又善于创新的中国画画家。他善于学习,不断汲取中国画的精髓,创造性地把将花鸟、山石等题材植入到他精心创造的艺术空间。守正创新的意识,精妙的笔墨和丰富的色彩语言,使他的作品以独特的艺术感染力,让我们感受到中国花鸟画的艺术魅力。近年来,他的艺术实践更取得了长足的进步,收获了可喜的成果。今天在四川中国书画美术馆举办的这次展览,共计展出陈志才精心创作的绘画作品200余件,是其艺术成果的一次集中体现。他以深厚的创作实力和扎实的绘画技法,为广大观众带来一场精彩的艺术盛宴。
最后,预祝展览取得圆满成功,祝各位嘉宾身体健康,工作顺利!
*向提供讲话稿的王琼和陈志才致以诚挚的谢忱!
【开幕式•陈志才绘画自己谈】
尊敬的秦主席、桂司令、李常委,各位领导,艺术界的同仁们:
大家上午好!
今天我深感荣幸,在这里向所有莅临我本次画展的嘉宾表示最诚挚的欢迎与衷心的感谢。
这次展览,从筹备到开幕,倾注了诸多人的心血与努力。在此,感谢四川省文旅厅、四川省文联、成都市文联的关心指导,感谢四川省诗书画院、四川省美协、成都市美协和协办单位的大力支持,感谢策展团队和工作人员的辛勤付出,以及众多亲朋好友在背后的默默帮助。
我还要特别感谢秦天林、郭汝愚两位恩师的谆谆教诲。从艺数十年,回顾创作之路,我一直以中华优秀传统文化为旨归,坚定文化自信,坚持中国画守正创新,从传统笔墨中树立艺术语言,从古代诗文中探寻精神源泉,从现实生活中捕捉时代审美。因此,我的作品是建立在传统精神之上的时代表达,当然也是我人生志趣的映射,是我情感价值的依托。
今天呈现出的作品是我花甲之年艺术成果的一次集中展示,有巨幅大作,也有尺牍小品。感谢到场的所有朋友,你们在画前的每一次驻足,都是我继续创作的动力。你们对我作品的每一个中肯建议,都会为我未来创作提供宝贵源泉,帮助我在艺术道路上不断前行。因此,我也希望听到大家的反馈,期待我们共同探讨中国写意花鸟画时代表达的无限可能。
再次感谢大家的到来和支持!祝春日吉祥,工作顺利,万事如意!
【观展现场•偶遇戴晓接受记者采访】
戴晓(中国美术家协会会员、成都市美术家协会花鸟画艺术委员会主任、成都市总工会惠民书画院副院长):
我觉得,他有两张画特别有意思。第一,他用特别苍劲的笔力,显示出花的润泽。这就是纯水墨画的笔力给人带来的一种享受。能够达到这种效果,是需要功夫的。
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第二,他画的这个水仙花,主要是用线和面,水和线的对比来表现的。把水仙的娇润姿态和线条的硬朗形式巧妙地融合在一起,产生了一种对比美。
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【现场•策展人叶莹撰写的前言】
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叶莹:成都市美术家协会副主席
【现场•郑晓幸撰写的序言】
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郑晓幸:四川省文联名誉主席
【笔者读陈志才绘画的四点感悟】
一、哲思境界:空灵,玄妙,无限可能。这种境界,是老子“知其白,守其黑”理念,“庄周梦蝶”式的逍遥自在,和易经“阴阳”哲学思想的绘画表达。
二、诗意情怀:水仙花的淡雅幽香,墨竹的清新自然,墨荷的出淤泥而不染,芙蓉花的柔媚欲醉,无一不透露出作者想表达的诗人志向、气质和人文情怀。
三、时代精神:仙鹤与鸟的勃勃生机,梅花的暗香傲骨,树根的遒劲苍茫,荷茎的萧散旷达,无一不洋溢着古老中华民族沉稳自信,新时代崛起复兴的时代气息。
四、古为今用,洋为中用。以书法用笔勾勒出物象的千姿百态,以泼墨点染衬托出具象的意韵生动,以冷暖色调对比烘托出块面的视觉冲击,以“近远、平远、深远”映射出自然、社会和人的生命节律,东方气韵生动之美与西方形式构成、视觉冲击力之美的混成合璧。
陈志才将先贤智慧,域外文明,与自己的心性情愫和独特的笔墨艺术语言惟妙惟俏地冶炼于一炉,结晶于一体,产生了强烈的艺术感染力,形成了独有的个人风格。
人过六十一甲子,也无风雨也无晴。真可谓:其画也“墨随心志形神备”,其人也“砥砺奋进正当时”。
【陈志才作品展全集】
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Part 1 散作乾坤万里春
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Part 2 静坐庭前观花影
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【延伸阅读•媒体报道信息】
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【问题:对比一一现实生活中观察到的花&写意花鸟画的花】
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【后记:开幕式前后•故事】
遇见周东,加上微信。去年周东在杜甫草堂主持谢季筠“竹裏徐行”书法展时,错失良机。之前,只在电视节目里看到周东的身影,了解周东的历史文化才气。
遇见姚叶红、舒炯,握手致意。
遇见冷柏青、李晖,点头示意。
遇见向运华、向运成,互致问候。
遇见刘继和,刘氏寒暄一句:“绘画艺术,若离开哲学、哲思和哲理,则显得平淡无味。笔墨技法,仅仅是绘事者最基本的功夫。”笔者甚以为然,陈滞冬编著的《石壶画语要录》里,陈子庄便有“画作,要能给人以哲思和人生启迪,格调才高。”(大意)之说。同时,遇见曾经在福宝美术馆举办个人画展的戴晓和石壶画会的伍勇,握手致意。
遇见臧跃军,握手致意。他的西藏高原牦牛画系列(拓荒牛、奋斗牛)和佛画系列,是独具匠心,独树一帜的,让人看了有一种洗涤心灵、虔诚敬畏、昂扬向上的感觉。笔者曾经在福宝美术馆和诗婢家美术馆先后举办的臧跃军个人画展上受到过深深的感染。
遇见曾杲,握手致意。篆刻,较之于书法和绘画文化艺术,更显小众。他策展的“印•道”中国篆刻艺术双年展,自2013年以来迄今已在成都举办六届,实属不易。不过,在他看来,也不是那么难。作为四川省五个西岭印社社员之一,曾杲在西岭印社社员群里吆喝一声,筹备一个全国性的篆刻展,似乎不存在什么征稿上的障碍,余下的便是解决资金筹措问题和是否有心筹办的问题了。
第二次遇见四川省文史馆馆长王元勇,向他咨询了文史馆馆员和特约馆员相关事宜。笔者在田旭中策展的天府草书提名展上,在刘舒特约馆员引荐下认识了他。
再次遇见邹瑾,加上了微信。去年在四川省作家诗人首届书画展上,已领略了他这个大巴山人富有激情,满含深情的讲话。
遇见四川省文联副主席李兵兄,得知他已经退休了。今后遇到有关高原雪山画中的“李兵冰雪皴”和“以白衬白”技法问题,便有机会向他请教了。
声明:部分图片来源于网络。如有侵权,请联系删除。谢谢!
20240316~0320 00:33
王军于悟道斋灯下
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