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米金铭是国画传统功夫的长期持有者,本可优雅地躺平,享受经验的红利,但他显然不愿将余生打包成倚老卖老的故事。
他将数十年的功夫,换作寸心的胆,“可贵者胆,所要者魂。”他放任这份功夫这份胆,在水墨实验场里围猎。视觉经验越陌生,越拒绝迈大步。越深入远方,越念念不忘为什么出发,无论多新多欢,他始终是一杆理性驾驭的老枪。
新水墨的魂,就在他理性的尽头。
他不断用针对性的体验激活有当量的经验,立足于笔墨本体,瞄准当代性的切口,逼近材料性与语言性的边界,笔下的跨界像他的微笑一样自然。他一路走,一路勾搭,与怦然题材勾搭,与形式秋波勾搭,与文艺别院勾搭,与诗意幽径勾搭……勾搭出新水墨的又一村。
他荷花系列的浓度,旷野系列的绵邈,大渡河系列的磅礴,每一味,都有惊艳级的视觉成全。作品成为老笔“能指”与新欢“所指”的共同体,笔墨价值因精神价值而增值。
米金铭以花鸟为邻,以山水为居,以沉迷新欢为实验,老笔焕然,新境自然,然其然也。
年历欣赏
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