20231012
文/王军
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令人欣喜的是凉山州有6人入展,攀枝花有1人入展。
令人遗憾的是甘孜州、阿坝州缺席。
令人感动的是四川省文联、遂宁市文联、四川省诗书画院、四川省老年书画研究会、四川美术出版社、四川大学等高等院校对书法艺术的重视和助力。
令人钦佩的是中国书协顾问、四川省书协名誉主席何应辉,四川省书协顾问谢季筠、徐德松、舒炯、郭强、黄启国、王七章、何开鑫亲临现场关怀指导四川书法新人成长。
成都市入展75人,占全部入展人数176人的42.61%。绵阳市入展14人占7.95%,泸州市入展13人占7.39%,宜宾市入展12人占6.82%,南充市入展10人占5.68%,四市合计占27.84%,比四分之一强。五市合计占70.45%,超过了三分之二,可谓大多数。
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四川省书协举办此次展览的几个特点是:一、依靠四川省文联的指导,依托遂宁市文联的支持,赢得四川师范大学等高等院校学生的积极参与。
二、入展的作者被要求书写150字之内的《研习与创作手记》。
三、四川书法家网报道了评审侧记和网络连载。
存在的几个问题:
一、甲骨文作品缺席,由此表明蜀中研习甲骨文等古文字者相对较少。
二、展厅书法意味浓厚,大字书法作品少,比拼小字书法技艺、比拼形式的现象相对严重,这可能会导致习书者向书法技术匠人的方向发展,从而背离了作者表达审美倾向和自由书写的书法属性。抄写别人文本者居多,而作者自己撰写文本者相对较少。由此而失去了作者表达自己的思想和情性的书法属性。
三、古文字和草书作品的铭牌上没有文字解读。铭牌上也没有专家学者对每一幅作品给予的点评意见和建议。由此而缺乏在受众(鉴赏者)、作品和作者之间产生书法艺术共情作用的导读桥梁。
【入展的部分作品】
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【入展的优秀作品】
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【四川书法家网对开幕式的报道】
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